Peter Phippen & Arja Kastinen new album release May 19, 2020 – “Forest of a Thousand Songs”
May 08, 2020
The second collaboration album from Peter Phippen and Arja Kastinen is released on May 19, 2020. The album Forest of a Thousand Songs (TEMPS07) is published digital only. Journalists and album reviewers can also ask for a promotional CD from kantele(at)temps.fi. The album can be found on Spotify, Amazon etc. If you wish to support the artists directly, please download the hight quality 320 kbps mp3 at temps.fi/store.
- Night Born 5’52
- The Water’s Mistress 2’26
- Aspen Meeting 6’23
- Why Do You Weep, Wooden Bark? 4’09
- Sun-Bird 5’34
- And the Great Oak Sighed 3’53
- Risen From Stone 5’34
- Ten Seeds 6’06
Total length 40’29
The instrumental parts are improvised. Arja recorded her parts in Finland and Peter his in the US. After the parts were recorded Arja edited and mixed the parts along with the background soundscapes. The soundsapes are built from edited kantele and nature sounds, and the sounds of the ringing stone, Klockarsten in the island of Nötö, Finland.
Peter is specialized in traditional flutes from around the world. Over the last three decades Peter has researched the history and performance technique of flutes both ancient and modern. Read more: peterphippen.com. On this album Peter plays the Shakuhachi bamboo-flute and the ocarina.
Arja plays the 11-string alto kantele made by Jan-Anton Kallioinen (tracks 1-3) and the 15-string kantele made by Keijo Säteri (Leppävirta, Finland, track 5), and also these kanteles made by Rauno Nieminen: the 10-string kantele with bronze strings (tracks 4 and 7), the 5-string kantele with bronze strings (track 8) and the 5-string kantele with viscose strings (tracks 6 and 8).
The ringing stone of the Nötö island (Klockarsten) was recorded in September 2014 when Arja visited the island with her friend Tuula Olkanen. The low and not so very big (ca. 1,6 m2) stone has round, ground cups, and it has been thought to have served as a signal stone for seal hunters and fishermen. It may also have served as a sacrificial stone in the same way as other prehistoric cupstones. Here is one short video footage by Tuula from September 2014:
Listen to in Spotify: